By Nora Bright

One of my favorite things about 2A’s culture is all the different affinity groups that employees can join to share their interests and identities. Are you a bookworm? Join the Page Turners chat. Want to post adorable pics of your dog? Let’s see it in the Dog Parents chat. But one of the first that came about is particularly close to my heart: the Yellow Ball chat. Let me explain. 

A few months into my first role here as a consultant for the marketing agency, I was struggling with aspects of the role related to my ADHD, such as auditory processing during meetings. I had only been diagnosed a few months before starting my job and was still learning how ADHD both aided and caused challenges for me at work. I realized I needed to ask for help. When I talked about it with Abby, one of 2A’s partners, she went beyond offering me tools and support. She connected me with our managing storyteller, Forsyth (after getting permission from both of us, of course), who has ADHD too. 

Forsyth is an accomplished storyteller with decades of experience (and who also happens to be whip-smart). She can explain the difference between an em and an en dash, tell you all about large language models, and then immediately and seamlessly switch contexts to interview an executive about cloud technology. I was thrilled to find support from someone else with ADHD whose career I admired—and even more excited when she suggested we meet every other week. Our meetings became wonderful opportunities to talk about our work, career successes and setbacks, and joke about our everyday ADHD challenges. 

A few months later, Forsyth and I decided we wanted to share our perspective on working with ADHD with the broader team. As part of 2A’s Diversity Resource Roundtable series, we talked about our own experiences living and working with ADHD and educated our peers on the nature and hurdles of this neurodivergence.* Sharing my story was uncomfortable at times (I even got a little teary eyed), but it felt freeing and powerful to reveal this key part of my identity at work. We also took this as an opportunity to make our group official and open it up to anyone else at 2A who identifies as neurodivergent. 

Turns out, there’s a lot of neurodivergent people at 2A! And to be honest, it makes perfect sense. 2A hires people who are creative, generous, and passionate about what they do—traits that go hand-in-hand with neurodivergence. 

We gave ourselves an official name—the “Yellow Ball Chat”—based on one of our member’s proclivity for bouncing a yellow ball to keep her mind engaged during our meetings. We have a Teams chat where we share challenges, successes, and memes, and we meet every other week. Now, when new people onboard at 2A, they are invited to join the group, which is among a dozen identity-based or common-interest chats employees can opt in to. 

While there are a lot of benefits to being part of the group, like sharing tips and tricks that work well for our brains, for me the most powerful part is the feeling of community. I love having a group of people I can reach out to when I’m feeling frustrated who just “get it,” and can share their own similar experiences. It’s also inspiring to be part of a group of neurodivergent people in different career stages and disciplines, all of whom have completely different lives, to see the amazing trajectories neurodivergent people can take at work and at home. 

While not everyone works somewhere as supportive of neurodivergence as 2A, I highly recommend finding a community outside of work or school to the neurodivergent people in my life, such as support groups provided by the Association for Autism and Neurodiversity and the Attention Deficit Disorder Association. 

As 2A keeps growing, I’m looking forward to welcoming more neurodivergent folks to our Yellow Ball Chat. Not only do I learn so much from every new member that joins, but it’s also a great chance to learn how we can keep making our company a welcoming and supportive place for people with neurodivergent brains. 

*A term that describes people who have neurological differences like ADHD, autism, and dyslexia. 

By Nora Bright, The 2A Team

Image by Thad Allen

Every year at 2A, members of our team share their favorite album of the year—and last year we started compiling a playlist so folks can dance along. This year’s soundtrack is a vibrant tapestry made up of everything from ambient chill to Bollywood beats, experimental sounds to indie anthems, each chosen by a music-loving 2A-er. 

One thing that’s for sure is our eclectic playlist matches the diverse backgrounds of the team members who contributed—including a former journalist, small business owner, nonprofit director, and cupcake baker. Our hobbies range from fly fishing, making miniature models, filming shorts, DJing for community radio, to beer brewing! We’re a talented bunch and we’re all bringing a different flavor to the table. So if our playlist feels a little all over the place, it should! 

Happy listening—and we hope you enjoy our wild music mix! 

Metro Boomin Presents Spider-Man Across the Spider-Verse (Soundtrack) – Various Artists (curated by Metro Boomin) 

With a great franchise comes great responsibility, and Metro Boomin delivers! The entire album showcases Metro’s super-producer abilities to weave a sonic web of synths and strings into a cohesive universe of sound. In an album packed with rap heavyweights, it’s the production on the quiet, more intimate songs that grip my attention, like  “Hummingbird” and “Calling.” – Madeline Sy 

I Killed Your Dog – L’Rain 

L’Rain’s album I Killed Your Dog fuses experimental sounds with soulful melodies, creating an experience that is as haunting as it is beautiful. Each track is a blend of eclectic rhythms, bold textures, and L’Rain’s rich, emotive vocals. We’ve had this one on repeat. – Mitchell Thompson 

New Blue Sun – Andre 3000 

While New Blue Sun is not the rap album many waited 17 years for from Andre 3000, it still delivers. If you are anything like me, you have been following the Andre 3000 seen with flute sightings, a la Where’s Waldo, on social media. Andre 3000 channels Coltrane and other experimental jazz greats with his improvisational flute playing and adds atmospheric ambient layers to bring you along on his recent travels and latest inspiration. This album tells a story without using any words. Be ready to read the energy to follow along on the journey. – Alyson Stoner-Rhoades 

Suntub – ML Buch 

ML Buch (pronounced “book”) is a Danish musician whose sound is very hard to place. Her music is both naturalistic and uncanny, analog and electronic, radiantly warm yet detached, and reminiscent of 90’s alt rock while ahead of its time. She manages to accomplish the rare feat of making something entirely new, challenging, yet completely accessible. – Brian Dionisi 

Everyone’s Crushed – Water from Your Eyes 

The first time I heard a song from Everyone’s Crushed I instantly perked up and focused—I’d never heard anything quite like it. The albums has off-tune singing, dissonant sounds, and intricate and strange textures. Occasionally, a beautiful pop moment emerges from the chaos. Water from Your Eyes makes you work for it and it’s so worth it. – Nora Bright 

Principia – En Attendant Ana 

Parisian indie outfit En Attendant Ana effortlessly merges sweet, pop melodies with a garage punk sensibility on their third album. Take a dash of the Velvet Underground, mix it with heap of Stereolab, a pinch of krautrock, a drizzle of early French pop, et voilà—you’d have something that sounds like Principia. – Suzanne Calkins 

Nothing for Me, Please – Dean Johnson 

The 15-years-in-the-making debut album from Seattle bartender/musician will have you wondering if maybe you, too, are in fact a cowboy ‘neath faraway skies. Folky, alt-country tunes paired with a unique voice. It’s either the soundtrack to your neighborhood dive bar, or some ranch in Wyoming, or maybe both. But either way, an all around lovely set of songs.  – Mike Lahoda 

Mo Lowda & the Humble – Mo Lowda & the Humble 

There is no such thing as too many indie rock bands in the world. Mo Lowda & the Humble bring a cool mix of moodiness and freshness. Caiolas’ vocals? They’re like a rollercoaster—sometimes contemplative, kinda mournful, then suddenly triumphant, all with a catchy vibe. – Michelle Najarian 

Flaws in Our Design – ODESZA, Yellow House 

ODESZA can do no wrong in my book, and their collaborations are no exception. A slight departure from their typical moody electro sound, this EP with Yellow House is bright, upbeat, and the perfect soundtrack to a summer day (or for channeling summer feels in the depths of winter!) – Andrea Swangard 

Cracker Island – Gorillaz ft Tame Impala 

The Gorillaz keep the core of their sound while expanding into a slightly more commercial approach, incorporating collabs with artists like Beck, Tame Impala, and Stevie Nicks. It gives each song a slightly different bent, though it keeps them all recognizable to Gorillaz lovers. Some songs are lazy and dreamy, and others you can dance to, but they’re all easy listening. What’s not to like? – Jane Dornemann 

Rush – Måneskin  

“I’m still rock and roll!” I whisper to myself as I stand in my kitchen after getting my kids to bed, grab a soapy spatula, and treat my dog to evening Måneskin kitchen karaoke. It’s a little rock. It’s a little punk. It’s a little pop. It’s very glam. I love bopping around to “KOOL KIDS” and “SUPERMODEL.” – Erin McCaul 

Rush – Måneskin 

I fell in love with Måneskin because of “SUPERMODEL,” which was released last year but was added to this year’s album called Rush. But I now think all their songs are great. Their sound reminds me of the rock of the late 1960s and early 1970s when the Rolling Stones, the Hollies, the Doors, and Led Zeppelin were raw—but there’s some grunge in there, along with bands like the Damned. That kind of popular music was my first love, and it really takes me back. Interestingly, the leads of the band were born in 1999 and 2000. – Forsyth Alexander 

Paathan (Soundtrack) – Vishal-Shekhar, Sanchit Balhara and Ankit Balhara 

More than just a comeback vehicle for one of the biggest stars in Bollywood, the success of the song “Jhoome Jo Pathaan,” and the film, were a testament to India’s enduring love of Shah Rukh Khan despite all the right-wing attempts to kill his career. The album flies in the face of bigotry, embraces love across the border, and celebrates spectacle both through the music of the talented duo, Vishal-Shekhar, and singers Arijit and Shilpa Rao. And of course, the syncopation and scattered Spanish influence makes the album eminently danceable in true Bollywood style. – Richa Dubey 

Pizza Tower (Soundtrack) – Various Artists 

Pizza Tower was a surprise favorite video game for me this year, a weird little indie game with style and character to spare. But what really enhances its gonzo cartoon nature is the soundtrack, a wild and funky electronic blast of energy. The music team blends golden-age hip hop samples, 90s house beats, and 00s video game chiptunes into an eclectically-textured high-NRG soundscape that is just as engaging to listen to outside of the game. – Thad Allen 

The Maine – The Maine 

After 16 years as a band, The Maine has released a self-titled album and they’ve never sounded more like themselves. You can tell they have honed their craft over the years and are enjoying the ride with this ninth LP added to their discography. This album is introspective and honest but still has some really fun beats to get you grooving. – Julianne Medenblik 

By Nora Bright, The 2A Team

Image by Thad Allen

For the last few weeks, I’ve been looking forward to asking my coworkers to send me their favorite album of 2022 so I can assemble our annual round up. There’s something special and even intimate about hearing what songs have been keeping your colleagues company all year long. While I love working from home, I miss the casual interactions that happen in an IRL office, especially conversations about books, TV shows, movies, and music. The album round-up allows me to learn something new about a coworker I wouldn’t otherwise find out—and follow-up music chats are par for the course. 

Sometimes a coworker’s choice is a delightful surprise, and sometimes their pick feels perfect…as if I should’ve known all along that Al is a Beyoncé superfan or that Erin has a crush on Jens Lekman. 

This year we put together a playlist that highlights one song from each album. I hope you enjoy getting a glimpse into the music that speaks to your favorite 2A’ers soul (and strike up a musical conversation the next time you find yourself on a call with one of us)! 

The Linden Trees Are Still In Blossom – Jens Lekman 

I have a forever crush on Jens Lekman. This album is adorably awkward, semi-autobiographical, and a remix AND re-release of my favorite album of 2007, Night Falls Over Kortedala. It reminds me that our stories get more interesting and gain a new depth as we reflect on them with age.  —Erin McCaul 

Shringaar feat. Milind Soman (single) – Vayu, Raftaar, Aashta Gill, AKASA, Milind Soman 

Catchy beat. Danceable. This single features Milind Soman in a music video after 27 years. What’s not to love? —Richa Dubey 

RENAISSANCE – Beyoncé 

House music, celebrating black excellence, and Queen Bey… this album is sheer perfection! —Alyson Stoner-Rhoades 

Pompeii – Cate Le Bon 

I have never met a Cate Le Bon album that I didn’t like, and Pompeii is no exception. Drenched in dreamy synths, sax and clarinet, Le Bon’s pristine voice dances in the duality of light and dark, weaving through a lush musical tapestry that is both delicate and bold, angular and sweet, sad and hopeful. —Suzanne Calkins 

Brand New – Ben Rector 

I’m a sucker for song that tells a story. I frequently shed a lot of tears listening to many of Ben Rector’s songs. —Tammy Monson 

Midnights (3am Edition) – Taylor Swift 

As exciting as Swift’s rerecords have been, I am thrilled she dropped something totally new. The album is very self-reflective and has hit after hit! And the production stylings of Jack Antonoff are always a favorite of mine. —Julianne Medenblik 

age tape 0 – Arden Jones 

Youthful, angsty, ukulele. —Even Aeschlimann 

Un Verano Sin Ti – Bad Bunny 

Bad Bunny’s latest album is a quintessential curation of different types of summer vibes. Swaggering pop and reggaeton anthems are supported by a reflective b-side with plenty of unexpectedly good features and even a call for Zumba! This record packed everything I love about Benito’s cross-genre inspirations and is proof that good music requires no translation. —Madeline Sy 

The Guest 2 (Original Soundtrack) – Various Artists 

I love the 2014 movie The Guest, a devious genre-bender with a distinctive soundtrack that moodily mixed 80s goth rock and 21st-century synth jams. This April Fool’s Day I was surprised with the drop of a soundtrack album for the nonexistent sequel! It’s a lot of fun to imagine what the plot could’ve been by looking at the cover art and track titles, and this director-led “aural sequel” is a fascinating way to dive back into the movie’s unique soundscape. —Thad Allen 

Power Station – Cory Wong, Billy Strings 

When all the heavy hitters get in the same room and make noise together the result is this album. Jam packed with riffs that are sure to go down in history for the modern funk jazz era. —Matt deWolf 

Warm Chris – Aldous Harding 

The tunes on Warm Chris are just the right blend of off-kilter and catchy for my taste. Her songs are playful, strange, and beautiful—fitting for someone who chose the name “Aldous” as their nom de plume (her real name is Hannah Harding). —Nora Bright 

Stick Season – Noah Kahan 

I once saw a tweet that said Noah Kahan is “country music for the East Coast.” As someone who sort of lives in the country and once lived in New England, I can confirm that a) That is a rock-solid statement, and b) this album will hit home for anyone, no matter where you live or where you are from. —Emily Zheng 

By Nora Bright

Image by Thad Allen

Whenever I read a best-of list of music albums published at the end of the year, I often think about how critics decide what to include. Do they focus on the albums that pushed a genre’s boundaries, that encapsulated the year for critics, or something else? 

When I was in high school, I was an avid reader of Pitchfork and loved how the popular music blog rated albums on a scale of 0–10. It felt so clean to assign numbers—so black and white. 

As I got exposed to more music genres and subcultures in college, I began to feel strongly that the quality of a song or album (and all art, for that matter) is in the eye of the beholder. Trying to assign a definitive number began to feel silly. I went to concerts with bands that I adored but critics didn’t. They were criticized for riffing on old garage rock tropes that weren’t relevant anymore; or maybe they weren’t so good at their instruments, but damn were their live shows fun; or their music meant everything in the world to a small group of people. 

So what makes an album worthy of an annual roundup? I’d argue it’s different for everyone at 2A who chose an album for this list. For some of us it was the music that gave us the strength to keep going amid another year of the pandemic. It made us feel cozy at home, or represented our values.  

I can’t resist making a marketing metaphor here—at the end of the day, it’s about what matters to the customer. 

I hope you give some of these tracks a listen, and that the reasons behind our choices give a tiny window into what matters to each of us.  

Emile Mosseri – Minari Soundtrack  

Favorite song: Big Country 

Emile Mosseri soundtracks have landed in my regular rotation the past couple years, and especially 2021, as the warm and dreamy sounds of Minari were great company while hanging around at 3am with a newborn. – Aaron Wendel 

Adele – 30 

Favorite song: Easy on Me 

This album captures the longing, melancholy an uncertainty of a COVID year. – Laura Templeton 

Her music has an ability to pierce the soul and reminds me I can conquer any mountain I face. 30 is a masterpiece in storytelling. – Tammy Monson 

Chromeo – Date Night: Chromeo Live! 

Favorite song: Don’t Sleep 

Electro-funk duo Chromeo has a playful retro style that I’ve enjoyed for years, and their 2019 tour was one of the last live shows I went to before the pandemic shut everything down. Chromeo approached the situation with typical good humor—recording a Quarantine Casanova EP and releasing a “2020 tour” shirt with a blank list of shows on the back, both sending proceeds to support those in need. The release of the live album was another joyful counterpoint to a year-plus of no live shows—delightful to revisit their funky sound boosted by a full backing band. – Thad Allen 

Lil Nas X – Montero 

Favorite song: That’s What I Want 

My favorite album of the year has to be Montero by Lil Nas X. All of the music videos from this album are amazing, and really fully celebrate his Blackness and queerness. It’s been the bright point of my year. My friends and I anticipate and text each other about every new music video drop. He really commands social media well and sets the conversation. – Annie Unruh 

Sophia Kennedy – Monsters 

Favorite song: Orange Tic Tac 

Monsters has 13 unique tracks that take you into the mysterious mind of Sophia Kennedy. The flow of the album is interesting to say the least. Beats Per Minute put it best, “Sophia Kennedy hops between styles on each track as if she’s escaping what’s come prior.” Monsters is an album that I kept revisiting through a year that sometimes had a similar feeling. – Mitchell Thompson 

The National – The National (re-release) 

Favorite song: American Mary 

If nothing else The National’s band-titled album, remastered in 2021, is reminder of just how much this band has grown. Best saved for writers who are editing (not creating), the track list sounds like Bruce Springsteen was run through a country washer and finished off in an indie dryer. “American Mary” is the best song on there, mostly because it carries the sounds of the better band The National became. –  Jane Dornemann 

Japanese Breakfast – Jubilee 

Favorite song: Paprika 

I’ve dug Japanese Breakfast’s punk-ish earlier releases and love how Jubilee layers funky basslines and gorgeous strings on top of her already stellar songwriting. It’s been fun to see her music explode in popularity this year including late night appearances, her Be Sweet Video for the Sims in Simlish, and of course her bestselling book Crying in H Mart. It’s J Brekkie’s world, we’re just living in it. – Nora Bright 

Whitney K – Two Years 

Favorite song: Last Night #2 

Two Years is the kind of album that makes me want to abandon all responsibilities and travel around the country hopping trains. But I’m definitely not going to do that. I’ll just listen to this album. Lou Reed, Bob Dylan, and plenty of country/folk influences ring out on this, scratchy, rambling 10-song LP – Mike Lahoda 

Taylor Swift – Red (Taylor’s version) 

Favorite song: Babe 

Red is perfect to put on while I’m doing work, making dinner, or driving in the car. Something about the updated songs takes me back to years past and is just so good. I can’t help but sing along. – Rachel Adams 

Sun June – Somewhere  

Favorite song: Singing 

Somewhere by Sun June was my 2021 soundtrack for when I wanted to bob my shoulders and focus on the beauty and intimacy of regular life. Even without the words—which are engaging—the music tells a floaty, deep-breath-inducing story. – Abby Breckenridge 

By Nora Bright

Image by Thad Allen

I started my job at 2A the same week Top Chef: Portland premiered. Though I love to cook, I somehow missed the popular cooking competition until quarantine, and have binged through more seasons than I’d like to admit. While we’re all at home just trying to get by, there’s something inspiring about watching the show’s chefs strive to achieve their dreams.

While watching the premier I was struck by the parallels between creating a winning dish that will delight the Top Chef judges and crafting a content marketing piece that will make potential customers hungry for more. Here are three lessons from Top Chef that can be applied to B2B content creation:

1. Don’t forget the challenge

It’s heartbreaking when a contestant makes an incredible dish but ends up on the chopping block because they lost sight of the challenge. Like, thanks for the truffle mashed potatoes but how does that relate to Edo-period Japan…?

In content creation, it’s essential to keep your eyes on the prize. Whether you’re generating leads or educating customers, your content must help you achieve your business goals.

2. Highlight what makes you special

A common pitfall for Top Chef contestants is to cook food that seems worthy of a win, instead of the food that brings out their passion and unique stories. Adrienne on Top Chef: Colorado struggled when she tried to mimic other contestants, and finally got the attention of the judges when she got back to her roots.

When crafting content, stand out from the competition with assets that convey your company’s unique expertise and brand.

3. Be realistic

Foie gras terrine. Chicken Ballantine. Handmade ravioli. These are all dishes that got Top Chef contestants eliminated who weren’t realistic about time constraints.

Creating content can be time- and resource-intensive. Instead of good intentions leading to something sub-par because you lack the in-house resources, how about bringing in 2A?

Does this mean my many hours watching chefs vie to become culinary champions was not all for naught? It’s hard to say, but I sure did learn a thing or two about making great work, whether that means salt-crusted snapper or an ebook on the merits of cloud-native applications.